Bāygān: House of Photographs and Words
Photo
Sadegh Tirafkan
A home for the elderly in the Julfa Neighborhood, Isfahan, from the series The Armenians
1989

Text

Ghazaal Ghazanfari

The Gentle Slope of Staying

This photograph, caught in a constant tug-of-war between the forces within it, repeatedly entangles me and then releases me. Everything in it feels suspended and uncertain—like two lives hovering near the edge of an ending. What fear and tension! The man looks at me, with signs of unease marked on his hands, sitting on the edge of a chair, poised to move, on a ground that—through the photographer’s choice—bears a gentle, unstable slope. His steady gaze draws me into the photo, but quickly lets me go, handing me over—through all the connecting horizontal lines in the image—to the woman. I follow her anxious gaze, turned toward the cleared space of the photograph, and drift outward along a slanted, restless horizon line, yearning beyond the frame. But nothing awaits me there; the photograph has already erased it from time. I return inward and begin my movement again. Even the large, awkwardly shaped stuffed animal that greets me at the picture’s entrance fails to stop me—it is also suspended, dangling. And again, the restless stare of the man... The cycle does not cease repeating until time runs out. The photographer, overcome by the urgency of this fading moment, manages only to salvage a single instant from it.