Bāygān: House of Photographs and Words
Photo
Mehrdad Naraghi
Untitled from the series The House
2009

Text

Ghazaal Ghazanfari

Presence and Absence

Everything that remains of the furnishings in this room has gathered here—withdrawn into itself. The photograph is both colored and colorless; its quietly symmetrical composition renders it hushed, almost silent. And yet, faint whispers drift through the distant memory of the room—and through mine as well. From a time when the house was a place to be, a place to stay.

They are gone. Nothing is about to happen. Nothing remains but backgrounds. Light is the only thing that moves—it enters through the window each day, lingers for a while, and departs. Then the day begins anew.

The image smells of dust and holds a strange suggestion of absence—an absence intimately tied to presence, as held in memory. The furniture in the room, with its indexical function, allows for this encounter, this act of listening to what lingers. The picture moves beyond the dust-covered, abandoned objects and the nostalgic meanings that lie upon their surface, arriving at a confrontation with those who are simultaneously gone and still here. This is told through the transparent veil draped over the belongings—a fragile, anxious cover signaling attachment and care. Is there an act of forgetting at play?