Farhad Fakhrian
Self-Portrait
1994
Text
Sara YektapourTheatricality of Being
A spotlight illuminates the scene—so brightly that its rays scatter across the
brick walls and the cracks on the floor. It lights up so intensely that it
burns half of him. The one who may be the main actor in this performance, whose
very being is the subject of the show. A body that itself is the stage, with
light playing upon it; revealing and concealing. He appears to have become the
source of light himself, illuminating the arches, columns, and windows—whether
blocked, half-blocked, or open. The actor, the stage,
or the light source—whatever he is—he is the most visible yet most mysterious
element in the photograph, standing stubbornly and directly at the center of
the light and the image. His upper body dissolves entirely in light, while the
lower body is completely immersed in shadow. The illusion of space adds to his
enigmatic presence. His clothing clashes with the environment he has chosen for
this performance. Who is he, and where does he come from? This photograph
offers no answer. I cannot identify his identity; I don’t know him, and I
cannot read the image. All I can do is sit and gaze, bewildered and amazed, at
him.
