Bāygān: House of Photographs and Words
Photo
Farhad Fakhrian
Self-Portrait
1994

Text

Sara Yektapour

Theatricality of Being

A spotlight illuminates the scene—so brightly that its rays scatter across the brick walls and the cracks on the floor. It lights up so intensely that it burns half of him. The one who may be the main actor in this performance, whose very being is the subject of the show. A body that itself is the stage, with light playing upon it; revealing and concealing. He appears to have become the source of light himself, illuminating the arches, columns, and windows—whether blocked, half-blocked, or open. The actor, the stage, or the light source—whatever he is—he is the most visible yet most mysterious element in the photograph, standing stubbornly and directly at the center of the light and the image. His upper body dissolves entirely in light, while the lower body is completely immersed in shadow. The illusion of space adds to his enigmatic presence. His clothing clashes with the environment he has chosen for this performance. Who is he, and where does he come from? This photograph offers no answer. I cannot identify his identity; I don’t know him, and I cannot read the image. All I can do is sit and gaze, bewildered and amazed, at him.