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Ghazaleh HedayatIntermission
The theater curtains or the nested frames stretch this fleeting moment of a few
hundredths of a second into a long, drawn-out film, allowing me to watch a new
scene or imagine a new one each time. The first curtain, above the platform,
prepares the stage for these cold, empty chairs. A scene perhaps from a social
drama, a romance, or, if it were today, surely a comedy. The empty frame in the
middle acts as a curtain or frame itself, through which the spectators in the
chairs pass to see the background frame. These empty chairs, looking at this
empty middle frame, seem to be staring at a blank, white curtain. But the
photographer fills this emptiness of nested frames; from behind a window framed
in black, they draw the curtain aside to reveal the main scene: the sky, the
tree, the mountain, and the waiting chairs—ready to be the stage of a film in
an outdoor cinema that showed no movie at all.
