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Mehran MohajerTomb of Light
The light in the picture leads us into an abyss. Where does the light come
from in this closed space, a place that seems sealed from six directions? The
geometry of the space, both around and inside, traps the light. The
interconnected network of black lines and joined surfaces in the photograph
leaves no escape—or perhaps the light, the camera, and the photographer are all
imprisoned within a space they themselves have created. The light seems to be
slowly digging its own grave—or maybe it is hastening it. There is no color,
but the warmth of the light seeps through the coldness of the tomb. In the
middle of these flat surfaces, the light has created a slight hollow. I don’t
know if this hollow goes deeper or not. The soft curve of the hollow seems to
invite the viewer to lie down in it. It seems fate is for the camera, the
photographer, and the viewer to be buried with the light in the earth.
