Bāygān: House of Photographs and Words
Photo
Nazi Neyvandi
Untitled from the series Stop, here is Tehran
Early 2000s

Text

Farzin Azarm

Uprising

This photograph immerses us in the city—sets us afloat. We ride a wave and experience a purposeless drift through the streets. Along with the rushing current, we arrive at a focal point—a place where the north, south, east, and west of the city converge, where trash, in sync with the swirling motion of water, has settled into a rectangular void. From the vantage point of this refuse, we observe the street and its people. A mass left behind by consumerism—shoved down into the city's lower layers by its creators, so that the surface remains presentable. Each piece of garbage has arrived from a different direction, now compressed together, looking over the city’s open space, seeking a way out.

This is a moment on the brink of eruption. Plastic bottles have begun to push past the edges of the rectangle. The once-gentle stream that carried these marginalized fragments here has reached a dead end—and now begins to surge. It won’t be long before it spills into the street and disrupts the mechanical order above.