Metamorphosis

We see an inverted and faceless body, stripped of identity, in the image. A crucified body, suspended in a timeless space, seemingly taking flight. I perceive this image not about the figure itself, but about the process of metamorphosis of images in the course of reproduction, redefinition, and dissemination. This figure no longer functions as a historical document but stands in an intermediary state: neither fully memory nor fully present. Here, the image no longer carries a specific narrative; instead, it itself becomes a story of change, erosion, and transformation of meaning in an endless cycle of reproduction. The identity of this fallen figure no longer belongs to a specific individual but, through the process of manipulation and representation, has become a collective symbol—a sign of bodies that throughout history, in real or virtual battles, have fallen to the ground.