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Mehran MohajerRemnants and Thresholds
What had happened an hour before the picture was taken? In the picture, we
see a tablecloth that seems on the verge of collapse. The tablecloth is empty.
The tablecloth is wrinkled. Two leaves of lettuce await—what and whom? An empty
plastic bag and an overturned empty bowl lie outside the cloth—what do they
point to? On which wound will the salt shaker pour salt? It seems there is no
connection among these remnants. The camera has come to the scene to view these
leftovers of the world askew and distorted. It is as if the photographer has
tilted their head and the camera downward to make this scene appear so unstable
and fragile, on the brink of falling apart. The flash light has further
stripped bare this sense of remnants and thresholds. Yet nothing is clear:
whether a group had gathered around this tablecloth, or just a pair, or if the
photographer sat in solitude with their tablecloth.
