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Farzin AzarmLantern of Sleep
Everything else has fallen asleep in the darkness of night, and only a dim light remains to illuminate the scene behind the shop window. It is as if a flicker from another world, from a lost time, still lingers. Where darkness has swallowed the walls and silence flows through the alley, a faint glow touches the window. Within the illuminated frame, a small world unfolds—like a scene from a forgotten dream, meticulously arranged with figures and objects. It feels like a memory of childhood or a religious tale that has stirred in someone’s mind for years, still lingering on the edge of oblivion. This luminous frame, amid the darkness, is like a lantern within a dream.
The
light, slow and cautious, reveals only part of the scene; the rest sleeps in
shadow, in a realm that can neither be fully seen nor fully ignored. This
tension is the secret of the photograph—a revelation of what we have and what
we lack. It is as if the world has always been this way: fragments of
illumination within a dark whole. Our gaze is like a trembling lamp, and
everything we see comes at the cost of not seeing its surroundings.
