Bāygān: House of Photographs and Words
Photo
Touraj Hamidian
Ardeshir Mohasses
1965

Text

Pouya Karim

Between Two Breaths

His head is bowed down, not out of fragility or longing, but undoubtedly for a secret dialogue with heart and soul. A white light rests on his forehead is the reminiscent of days gone by. His glasses obscure half of his gaze, while the other half is carried away to a realm that has no path but his own. Behind him, books and papers are veiled in a light mist as if the weight of heavy memories and long-held yearnings have drained the color from his face. Thus the photographer has captured this fleeting moment, suspended between two breaths, between being and non-being, inward and outward.

The face of the true artist is silent, yet a thousand words lie hidden within it. The bent posture of his neck tells the tale of years spent in daydreams, and the absence of his gaze leads the viewer into a quiet akin to the gentle passage of time. A stillness in which light, like a soft breeze, settles on the skin, and the folds of his attire whisper the stories of days gone by. In this frame, between two breaths, a world of meaning and introspection is contained. Everything is calm. In this stillness the trace of the time past is revealed like light falling through the window of an old house. We know it will soon change and surrender its place to darkness. Now, it is he with his silence, and we, the passersby, in this quiet.