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Sara YektapourThe Life Ahead
In the
midst of a journey toward a destination that is not yet entirely familiar, the
travelers’ gazes are directed forward, toward what lies ahead. The
photographer, however, has turned around. With her back to the future, she
looks instead at the suspended present between past and future. Perhaps she is
trying to capture that moment of transition—one that she herself once
experienced. That movement back and forth between memories of a place left
behind and the imagined destination toward which one is traveling.
Time
seems to have come to a standstill, perhaps so that something of what is taking
place inside the migrants’ minds might seep through onto their faces. Familiar
emotions come to mind in the midst of a profound change: worry, anxiety, hope,
and longing—a thread of thoughts that gradually forms a story, the screenplay
of life in a new environment. A screenplay that will never become a film
exactly as written because life is full of unforeseen events. And yet,
sometimes, some of us write that screenplay because it is the only safe image
we have amid the sorrow of leaving behind the people we once knew and the fear
of a situation—and of people—we cannot yet fully imagine or understand. I, too,
try to excavate my memories of the places I once left behind in an attempt to
come closer to imagining the experience of those who appear within the frame
although such an attempt is perhaps destined to remain incomplete.
Only
the child’s gaze, at the edge of the frame, does not stretch out and engulf us.
His gaze is not a stare. It is brief, an instantaneous reaction to the
photographer and the camera, which seem to have appeared unexpectedly, leaving
him at once curious and annoyed.
The
others are staring—staring at the road ahead, at the photographer, or through
the window. The suspension between two places and two periods of life is
prolonged by the photograph. Unlike time itself, it does not pass. It remains. A
suspension filled with imagination, hope, and plans. The imagination, hopes,
and plans that people so often once held for a life in their own homeland,
among their own people—until, sometimes, it simply becomes impossible.
