Bāygān: House of Photographs and Words
Photo
Naser Haghighi
Untitled
1960s

Text

Sara Yektapour

Gazing in His Place

This photograph, with all its simplicity, brings me back to the essence of photography — to the window, to the photographer’s eye, which is now my view. To my toes, frozen in my shoes; to the black shadow of a cloud sweeping across the slope — or perhaps it has already swept by, like me. To the hat and the slack rope that now rest quietly for a moment on the snow. Like him. His traces in this familiar space, and his presence through these objects — or through the photograph itself. I’ve seen this landscape many times, and yet I haven’t truly seen it except in photographs. But him — I see only in that tilted hat on the walking stick, in the fixed backpack and the dangling rope. And in my imagination, I see his footprints in the snow — that he has walked ahead to leave behind a trace of himself in the landscape. And with that, I believe that everything I see has, at some point, passed through his eyes. I don’t really know him but now through mediation and a touch of leniency, I’ve taken the place of his eyes. I know I’ve never been there before. I don’t know whether I belong to this place or not but in this photograph this place is my refuge. And upon this vast land, upon this  white-peak mountain, I am in love.